There's some good tips in here that can probably help you unwind at the end of the day - the most important one, ironically, setting a hard bedtime for yourself. I guess my mother was right about that!
Ryan Holmes Cut Color Post. Excerpts, quips, and musings on the production and post-production industry of editing, color grading, and deliverables.
Philip Hodgetts in regards to Twitch (it's like YouTube for video games):
I think this concept stretches to many different mediums now. Your Xbox, iPhone, AppleTV, Roku, traditional broadcast TV, cinema, Redbox, YouTube, Twitch, Twitter, Facebook...they are all competing for your most valuable resource - your time. We all have the same amount of hours in a week and how we chose to spend them means we're choosing one medium/format over another.
If you find yourself doing a good amount of outside shooting, these are some good tips to keep in mind.
Having been through a few job interviews in my day, I can say that this is one of the most challenging questions to answer. How much should I say? What should I include? Most importantly, what should I exclude?
As an interviewer now screening candidates, I can say that I don't put that much weight on the question as this piece implies. But I do still ask it, usually as a way to relax the candidate. In fact, I'm usually more concerned with how a person carries them self in the interview - how they act, their demeanor, and most importantly their sense of humor (or lack thereof). Most skills can be taught, but personality is a priceless intangible.
I think you could also say how well designed, both ergonomically and technologically, the C300 is, that even after 3 years of being on the market it still sells/rents so well. As a corporate video pro the C300 is my preferred camera for shoots. I can shoot outside in bright daylight, inside in a dimly lit environments with minimal extra gear (rigs, recorders, XLR packs, screens, etc.). Everything I need to pull of a quick shot is onboard the C300 from Day 1. Even today in the growing world of 4k this and 4k that, the C300 still creates a crisp 1080p image that I turn to time and again for my day-to-day work.
That said, there are more and more cameras that are starting to look appealing to me (none of which are DSLR based cameras). Specifically, the Sony FS7, when it ships, looks like another winner for cinema, corporate, or event shooters. The XAVC codec continues to get praise from every corner of the industry. Sony may have finally produced a camera "for the rest of us" in the FS7 for around $8K according to pre-order pages.
The question intensifies: Can HBO become like Netflix sooner than Netflix can become like HBO? Netflix pushed into HBO's territory with original series like House of Cards, Orange is the New Black, Hemlock Grove, Lilyhammer, and others. HBO now responds to Netflix by going direct to customers with a subscription (read: Netflix) plan.
I still wonder if they charge $15/month will they restrict access to older content, thereby giving the traditional HBO subscription through a telco some legitimacy for existence. Color me disappointed if they charge $15/month for just new releases or "some" of HBO's content.
More information regarding HBO's announcement from Re/code
The second paragraph is the key to me (I'm assuming the first paragraph to be true, that it's hard to tell HD from 4K when only resolution is changed). I'm not so concerned with higher frame rates, but better color space, bit depth, and dynamic range are areas that need some iteration. I would be more than happy with 24fps (or 30) at HD with better color, and dynamic range than the current craze of bigger resolutions that we can't actually deliver. The press to 4K seems like little more than marketing at this point to me (save for the rare benefit that you can (1) show it in its original resolution on a screen that benefits from it, (2) do pan & scan in post for mastering to HD).
For why 4K still doesn't matter in your home, see here.