I can only imagine the outrage that will ensue the day that FCP 7 no longer runs on the newest Mac OS. Never mind the fact that FCP 7 is now 3.5 years (and counting) beyond its supported shelf life. It was EOL'ed June 2011. As a corollary, if you're still using FCP 7 it's time to move on - Avid, Adobe, Autodesk, and Apple all have excellent software options.
Ryan Holmes Cut Color Post. Excerpts, quips, and musings on the production and post-production industry of editing, color grading, and deliverables.
There's some good tips in here that can probably help you unwind at the end of the day - the most important one, ironically, setting a hard bedtime for yourself. I guess my mother was right about that!
Philip Hodgetts in regards to Twitch (it's like YouTube for video games):
I think this concept stretches to many different mediums now. Your Xbox, iPhone, AppleTV, Roku, traditional broadcast TV, cinema, Redbox, YouTube, Twitch, Twitter, Facebook...they are all competing for your most valuable resource - your time. We all have the same amount of hours in a week and how we chose to spend them means we're choosing one medium/format over another.
If you find yourself doing a good amount of outside shooting, these are some good tips to keep in mind.
Having been through a few job interviews in my day, I can say that this is one of the most challenging questions to answer. How much should I say? What should I include? Most importantly, what should I exclude?
As an interviewer now screening candidates, I can say that I don't put that much weight on the question as this piece implies. But I do still ask it, usually as a way to relax the candidate. In fact, I'm usually more concerned with how a person carries them self in the interview - how they act, their demeanor, and most importantly their sense of humor (or lack thereof). Most skills can be taught, but personality is a priceless intangible.
I think you could also say how well designed, both ergonomically and technologically, the C300 is, that even after 3 years of being on the market it still sells/rents so well. As a corporate video pro the C300 is my preferred camera for shoots. I can shoot outside in bright daylight, inside in a dimly lit environments with minimal extra gear (rigs, recorders, XLR packs, screens, etc.). Everything I need to pull of a quick shot is onboard the C300 from Day 1. Even today in the growing world of 4k this and 4k that, the C300 still creates a crisp 1080p image that I turn to time and again for my day-to-day work.
That said, there are more and more cameras that are starting to look appealing to me (none of which are DSLR based cameras). Specifically, the Sony FS7, when it ships, looks like another winner for cinema, corporate, or event shooters. The XAVC codec continues to get praise from every corner of the industry. Sony may have finally produced a camera "for the rest of us" in the FS7 for around $8K according to pre-order pages.