Cut|Color|Post

excerpts, quips, and musings on the production and post-production industry, and other stuff of interest

Samsung Develops 16TB SSD

The piece goes on to say, “In 2013, Samsung announced a new way of approaching flash storage manufacturing. Rather than place the cells along a single layer, as had been standard practice since NAND flash was invented in the 1980s, it would stack them vertically. That allows for much greater density, which gives you much more storage space.

This could radically transform post-production. As cameras get more and more data rate intensive with HDR, UHD, 4K or higher resolutions our ability to access that data quickly for realtime playback becomes an ever increasing challenge. This could provide both speed and size flexibility for post professionals.

Read more here or here.

Moving From FCP to PPro

Meagan Keane of Adobe interviews editor, Andrea B. Scott, on the 2015 Sundance Film Festival documentary "Fresh Dressed"

Adobe: Which features of Adobe Premiere Pro CC were most useful?

Scott: Certain aspects of working within the timeline are much easier than with Final Cut Pro. Even small things are really nice, like the ability to hoverscrub through the footage. Another helpful feature of working with Premiere Pro CC is its ability to work with different codecs in the timeline, without worrying about transcoding.

I'll continue to say it: all modern NLE's are capable of producing high-quality content for broadcast television or film. Apple Final Cut Pro X, Adobe Premiere Pro CC, and Avid Media Composer all have the ability to cut your story and cut it well. The difference is in the user and which product makes the most sense for a given workflow. Stop the nonsense about whether not NLE is faster than that NLE, or if <fill in the blank> NLE is "pro"...they are all capable choices in the hands of the right person.


Should A Video Editor Buy a Mac Pro or iMac

If money is not a big concern, don’t waste any more time – get the Mac Pro. While the 12-core system provides maximum bragging rights, the 8-core system is a better value with great performance.

If your budget is constrained, get an iMac. It is outstanding as an editing system and, while not as fast in video compression or rendering, what you lose in time you’ll save in dollars.

I run both at my shop and they each have distinct advantages (the 5K Retina screen is gorgeous). It's always a trade-off between speed and cost. The faster you want to go, the more money it's going to cost. For many of today's task an iMac is a great machine. But if you need the horsepower for transcoding you're not going to beat a Mac Pro.


Arri Alexa Mini Announced

What an unfamiliar sensation to write the words “lightweight” and “ARRI” in the same headline. But here it is: Camera manufacturer ARRI just surprised us with the announcement of a new cinema camera: The ARRI ALEXA Mini. A small and lightweight, carbon fibre version of their hugely popular ARRI ALEXA cinema camera.

This camera from Arri will finish off what was left of RED in Hollywood. The previous case for RED was the ability to fly their camera body on a variety of drones, jibs, and rigs. Now if a director is shooting on Alexas or Amiras (and who isn't in Hollywood?) and need to get a mobile shot or into a tight space they're going to grab the Mini, not the RED.

Further irony that this Arri announcement came on the heels of RED's Weapon camera upgrade announcement. I doubt that's a coincidence.

TIP: ShotOnWhat is a great resource if you're curious about what camera was used on a given movie.


Mmmmmmm...Smells Like Vaporware

Frame.io writing in their most recent newsletter:

It’s been 6 months since the first announcement, this smells like vaporware

The app is very real and works exactly as advertised. But it’s true, we’re behind schedule. When we announced Frame.io in July of 2014 we were overly optimistic about our target release date. It’s a complex app that you will come to rely on for your business. We take this very seriously and want to make sure you can count on us.

I hope that Frame can move from vaporware to an actual shipping product because their take on review and approval looks excellent. But if you need something today, their solution isn't going to get the job done. If you need a review and approval solution today then check out Scott Simmons' post from May 2014. There are quite a few good options out there already.